The South African print version of the book is now available directly from myself to reduce costs.
I’ll let this up-to-date review, from highly respected USA screenplay consultant, journalist, critic and writer Nick Clement, speak for itself:
Mart Sander’s Evocative Novel The Goddess of the Devil Takes Readers On A Thrilling Journey
Mart Sander’s hugely detailed and incredibly conceived historical novel, The Goddess of the Devil, which expertly blends startling fact with clever fiction, is one of those compulsively readable works that demands your attention and respect. Spanning nearly 40 years of world history, during a most turbulent period of social and governmental unrest, this epic yet intimate narrative is set against the German- European backdrop of World War II, and peels back the curtain on one particular story, which sets off a chain of dramatic events that can never be stopped. Sander’s robust writing style perfectly complements the ambitious nature of the material, and his sense for artistic flair within numerous passages feels inherently cinematic; this sprawling text is begging for the mini-series treatment from a premium outlet looking for their next water-cooler-buzz-worthy project.
Combining elements of science-fiction, occult-fantasy, and military-drama, The Goddess of the Devil hinges on the controversial life of Maria Orsic, who in actuality was a disarmingly beautiful member of the shadowy Vril Society, which prospered during the formation and rise of Germany’s Third Reich. Her interactions with Adolf Hitler begin to inform his already-burgeoning interest in the occult, and which helps to set the stage for events that of course changed the world forever. Orsic, a woman of great power, could never have fathomed what might have come of her dealings with members of the Nazi party, and Sander’s gripping storytelling methods help to craft a morally complex heroine/lead protagonist, a woman who felt compelled to act because of what she believed was buried deep within her, potentially emanating from another realm.
Sander takes the core items from Orsic’s over-sized life and gives them a fresh creative coating of sweeping adventure, weaving in events that have been documented by history, with exciting embellishment that takes the story into directions you can never predict. And that’s one of the other things about The Goddess of the Devil that’s so much fun – you can’t truly prepare for the twists and turns that Sander so effortlessly serves up for your reading pleasure, and it’s a testament to his belief in the story that he allows his creative energies to move back and forth between multiple genres, and is yet able to craft something that feels like a cohesive whole.
The Goddess of the Devil has all of the classic ingredients in what has driven popular best-selling sensations: a sense of true adventure, dangerous romance, volatile locale, and dynamic characters who all but urge you to keep turning the pages. Orsic’s telepathic claims were and continue to be explosive, especially when all of the information is fully considered. And because Sander fully understands – and then completely exploits – his fully-loaded premise, the final outcome is something that feels cut from a tangible space, and yet, there’s something otherworldly about all of it that brings about an added layer of storytelling dimension. It’s also just flat-out entertaining in a moment-to-moment fashion; you can never say that Sander isn’t a showman on the page.
© Nick Clement 2019
Nick Clement is a motion picture screenplay consultant and journalist for Variety Magazine, as well as a film critic for the websites We Are Cult and Back to the Movies, in addition to being a contributor at Hollywood-Elsewhere, Taste of Cinema, and Awards Daily. He wrote the introduction to the book Double Features: Big Ideas in Film, which was published by The Great Books Foundation. He lives in Connecticut, USA, with his wife and three year old son.